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MUSIC. COMEDY, DRAMA , NEWS

Category ArchiveEri Drama

New Eritrean Movie 2017 ”ውላድ ሕሱም” Ebrahim suleman(ምርጫ)ዝተደርሰት

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Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning “action” (Classical Greek: δρᾶμα, drama), which is derived from “I do” (Classical Greek: δράω, drao). The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia, and Melpomene. Thalia was the Muse of comedy (the laughing face), while Melpomene was the Muse of tragedy (the weeping face). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle’s Poetics (c. 335 BCE)—the earliest work of dramatic theory

Eritrean Movie ”ኣስቴር ዳም ዳም” – Performance Movie Interview

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Performance art is a performance presented to an audience within a fine art context, traditionally interdisciplinary. Performance may be either scripted or unscripted, random or carefully orchestrated; spontaneous or otherwise carefully planned with or without audience participation. The performance can be live or via media; the performer can be present or absent. It can be any situation that involves four basic elements: time, space, the performer’s body, or presence in a medium, and a relationship between performer and audience. Performance art can happen anywhere, in any type of venue or setting and for any length of time. The actions of an individual or a group at a particular place and in a particular time constitute the work.

New Eritrean Movie 2017 ”ምቁር ዝኽሪ” Trailer

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A trailer (also known as a preview or coming attraction) is an advertisement or a commercial for a feature film that will be exhibited in the future at a cinema, the result of creative and technical work. The term “trailer” comes from their having originally been shown at the end of a feature film screening.[1] That practice did not last long, because patrons tended to leave the theater after the films ended, but the name has stuck. Trailers are now shown before the film begins.

Eritrean Movie 2017 Mano – ማኖ

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A film series (also referred to as a film franchise) is a collection of related films in succession that share the same fictional universe, or are marketed as a series.

Sometimes the work is conceived from the beginning as a multiple-film work, for example the Three Colours series, but in most cases the success of the original film inspires further films to be made. Individual sequels are relatively common, but are not always successful enough to spawn further installments.

The Marvel Cinematic Universe is the highest grossing film series in unadjusted US Dollar figures surpassing the Harry Potter, Star Wars, James Bond, and Peter Jackson’s The Lord of the Rings series. However, “Star Wars” has the highest when adjusted for inflation.

Eritrea Movie ስድራ june 03, 2017

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Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). Closet drama describes a form that is intended to be read, rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience

Eritrean Comedy – Hlmi | ሕልሚ

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In a modern sense, comedy (from the Greek:κωμῳδία, kōmōidía) refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially intheatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by thepolitical satire performed by the comic poetsat the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusingagon or conflict. Northrop Frye depicted these two opposing sides as a “Society of Youth” and a “Society of the Old”. A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokeslaughter

Eritrean Comedy:sebay sebut by Brhane Tewelde – 2017

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In a modern sense, comedy (from the Greek:κωμῳδία, kōmōidía) refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially intheatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by thepolitical satire performed by the comic poetsat the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusingagon or conflict. Northrop Frye depicted these two opposing sides as a “Society of Youth” and a “Society of the Old”.A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokeslaughter.

New Latest 2017 Eri comedy – ጭብጢ

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In a modern sense, comedy (from the Greek: κωμῳδία, kōmōidía) refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters.[1] The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a “Society of Youth” and a “Society of the Old”.[2] A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokes laughter

Eritrean Movie Sidra ስድራ

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The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception.[5] The early modern tragedy Hamlet(1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex (c. 429 BCE) bySophocles are among the masterpieces of the art of drama.[6] A modern example is Long Day’s Journey into Night by Eugene O’Neill(1956)

Eritrean movie 2017 – ተኣምር

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Studio system
In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting troupe, consisting of performers Blanche Sweet, Lillian Gish, Mary Pickford, Lionel Barrymore, and others. They began filming on a vacant lot near Georgia Street in downtown Los Angeles. While there, the company decided to explore new territories, traveling several miles north to Hollywood, a little village that was friendly and positive about the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California, a Biograph melodrama about California in the 1800s, while it belonged to Mexico. Biograph stayed there for months and made several films before returning to New York.
During the Edison era of the early 1900s, many Jewish immigrants had found jobs in the U.S. film industry. Under the Edison Trust, they were able to make their mark in a brand-new business: the exhibition of films in storefront theaters called nickelodeons. Within a few years, ambitious men like Samuel Goldwyn, Carl Laemmle, Adolph Zukor, Louis B. Mayer, and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to the production side of the business. After hearing about Biograph’s success in Hollywood, in 1913 many such would-be movie-makers headed west to avoid the fees imposed by Edison. Soon they were the heads of a new kind of enterprise: the movie studio.